Someone who knows I'm a nature photographer, but isn't one himself, recently asked me what I do on cloudy days.
"On a day like today," he said, gesturing out a window toward the gray sky, "what would you photograph? Anything?"
Someone who knows I'm a nature photographer, but isn't one himself, recently asked me what I do on cloudy days.
"On a day like today," he said, gesturing out a window toward the gray sky, "what would you photograph? Anything?"
I've seen plenty of waterfalls, but until recently, I had never seen a "waterfall of murres." That's how friends of mine in Cannon Beach, Oregon, describe a truly wondrous nature show that takes place this time of year on the nearby Chapman Point.
There hasn't been a waterfall per se at Dry Falls in central Washington for at least 10,000 years. But when there was a falls there, it would have been spectacular: 400 feet high, 3½ miles wide and ten times as powerful as all the world's current rivers combined.
We are creatures of habit. That's well documented. In stores, we buy a particular brand simply because that's the brand we always buy. Many of us regularly check our messages whether or not we're expecting anything because we've gotten into that habit.
And as photographers, we're inclined to photograph a familiar subject a particular way simply because that's the way we've always done it. It becomes habit and we probably don't even think about why we're setting up the shot that way.
The black-capped chickadee is no ivory-billed woodpecker. Dozens visit my office window every day to feast on the free suet.
But just because they're common, doesn't mean they are not interesting. And a recent snow storm that, at times, had my yard buried under nearly 10 inches of snow allowed me to create some images that help tell their remarkable winter story.
For each of the past few years, I have compiled a small gallery of my favorite images from the year. It was something I did when I first started out in photography; Jim Goldstein, whose blog collects the best-of collections from more than a hundred other photographers, inspired me to restart the tradition.
I think the exercise of reviewing and editing your work is quite helpful in refining your art and identifying opportunities for improvement. For me, one of the things that was immediately evident in past years was that I often relied on travel to exotic locations to fuel my creativity. In 2011, I worked hard to bring the level of excitement and passion that I feel in a new place back to the familiar scenery at home.