2023 in review

As another year draws to a close, it’s time for an annual tradition: a review of my work from the past 12 months.

Best of 2022

As 2022 comes to a close, it’s time for my annual review of the past year’s pictures. This year brought new experiences both near and far.

Best of 2021

I hesitate to call these my best images of the year. My preferences change over time. I also try to produce work that’s more emotional than documentary and it feels wrong for different emotions to have compete with each other. But these 15 images do a marvelous job of summing up my year.

Best of 2020

Welcome to the annual post of my top images from the year. Despite all the challenges 2020 dished out, there is still a lot of beauty in the world. The year helped me see how much there is within a few miles of my home.

I have never traveled as little as I have this year. I spent the first week of the year in Yellowstone National Park. My photography for the rest of the year consisted of images of my yard, my neighborhood, and the occasional day trip. Rather than being limiting, I have found staying close to home to be an incredible creative exercise.

Review: Saal photo book

While there’s nothing quite like appreciating a giant print on a museum wall, photography books can have their own charm. A high-quality book can help you get closer to the image than you ever could to a framed print. And advances in digital printing have made it possible for any photographer to their own books — even just a single copy.

I recently printed a single copy of a portfolio. I’m working on a photography exhibit and I need to talk to exhibitors, art patrons and other supporters about the concept. A short book is a great visual aid. I ended up using Saal Digital to produce the bound portfolio and wanted to share my experience.

Canon 1Dx Mark III review

The days of dSLR cameras are numbered. But even though Canon announced it’s concentrating its development efforts on mirrorless cameras, its brand new top-of-the-line camera is… a dSLR.

Given that the new Canon 1Dx Mark III is likely to be one of the last dSLRs ever, is it worth investing in one for wildlife photography? After using one for nearly two months, I think it is. The camera is a much more substantial upgrade than its specifications might suggest. Its autofocus system is nothing short of revolutionary. The new smart controller, which helps you quickly select autofocus points, almost justifies the upgrade by itself. But the camera suffers from some infuriating glitches and quirks, even after a firmware update.

Best of 2019

For more than a decade now, I’ve closed out each year by sharing a few of my favorite images from it. It’s part celebration. Ansel Adams once said that producing "twelve significant photographs in any one year is a good crop." But it’s also a great creative exercise. A careful review of your year’s work can help you see if you’re stuck in a rut or if you’ve found a direction that’s worth exploring further.

Comparing this year’s images with those that started the decade you can see that my favorite work is still a mix of landscape and wildlife, with a few detail pictures that try to express the essence of the subject. If there’s been one big change it is that the images in that latter category have grown more graphic and abstract.

Best of 2018

Welcome to the annual post of my favorite images from the past year. And let’s just get this out of the way right now: eagle, fox, rabbit.

The image of the bald eagle that stole a rabbit from a young fox quickly became a defining picture not just of my year, but of my career. Just hours after I posted the story and a sequence of images on my blog this spring, TV stations and newspapers were emailing me, wanting to do a story on it. By the end of the week, it had run in papers from Russia to Australia, on network TV news and was a featured story on National Geographic. And now, CNN named it one of the pictures of the year.

Best of 2017

I was excited to be able to return to national parks in 2017 after a series of projects had kept me away for a few years. In February, I returned to Yosemite for the first time in four years. And in the fall, I photographed some East Coast parks for the first time.

But an even larger portion of the year was spent photographing, re-photographing and re-re-photographing close to home, working to find new takes on familiar subjects. In no particular order, here are a few of my favorite images from 2017.

Best of 2016

I was on a “national parks” high in 2016. My Haleakala National Park postage stamp was released. I participated in a series of exhibits to honor the National Park Service centennial. And I released a new book, Our Land, which features my national park photography. But, unfortunately, I didn’t get a chance to actually set foot in a national park this year.

The late New York Times fashion photographer Bill Cunningham once said, “He who seeks beauty will find it.” For me, 2016 was about finding beauty wherever I was lucky enough to be, whether it was a city park, a fishing pier or the side of the road. There is a lot of beauty in this world. Here are a few of my favorite images.

Best of 2015

This is the seventh edition of my annual “best images” postings and, in many ways, it was one of the most difficult. If you follow me on Facebook, you’ve likely read that my wife desperately needs a kidney transplant. As I write this, she’s beginning her 16^th month on dialysis. As her caregiver, my travel was extremely limited. I worked incredibly hard to make every one of those days count and even harder to create opportunities at home. Looking back, I believe that this year’s group of select images is as strong as ever.

Hands on with the Canon 5Ds R

For the first time this decade, there’s a new camera in my main photography bag. It’s not that I’m afraid of new technology. Actually, I typically embrace new tools quickly if they make a meaningful difference in my work.

Hands on with the Canon 100-400 IS Mark II

^{Captured with a Canon 1D Mark IV, Canon EF 100-400 f/4.5-5.6L Mark II, and a Canon Extender EF 1.4X Mark III}

I spend relatively little time on this blog talking about equipment — I’m drawn more to the art than the mechanics — but there’s no denying that equipment plays a critical role. The wrong equipment can limit your creative vision. Bad equipment can cause you to miss the shot entirely.

With that in mind, I thought I would share some of my thoughts about the new Canon EF 100-400mm f/4.5-5.6L IS II USM lens, which I’ve been using for about two months now. You won’t find test charts and studio comparison scenes here. There are plenty of those already that are produced under very controlled conditions. This is a Canon 100-400 Mark II review in the context of how it has performed for me as a professional nature photographer in real-world situations, which includes handling and other features that make a difference in my work.

Best images of 2014

As another year draws to a close, it's time to look back on my favorite images of the past 12 months. It's an exercise I've been doing in some form or another for virtually my entire time as a nature photographer. When I'm down, looking back can be inspiring. It can also help me see if I'm in a rut and challenge me to go in a more creative direction next year.

This year, it's an especially interesting exercise, given that I spent much of the year looking back over my entire career. My new book, Living Wilderness, is a fine-art portfolio of all my work so far. To produce it, I had to comb through nearly 15 years of work to select fewer than 150 standout images that could still work together.

I also traveled less than I usually do. But that just made me work harder close to home. In fact, two of my favorite images came from the yard around my house.

So here they are, my 10 favorite images and why (you can click or tap on any image to enlarge it):

Best of 2013

In terms of the images I produced, 2013 was an unusual year for me. Over the course of most years, I shoot a wide variety of nature images. But 2013, like the title of the book I just completed, was for me the Year of the Eagle. Easily two-thirds of my images were about bald eagles as I worked hard to fill gaps in the story I wanted to tell.

But the year wasn't just about bald eagles. I made my third trip to Iceland. While there, I photographed the inside of an old volcano's magma chamber, the only known one in the world people can climb inside. I also got to capture an incredible northern lights display perfectly reflecting in a lake that is normally quite choppy. I also worked hard to capture beauty close to home.

In the end, I think my annual best-of collection is still quite varied. Here are a few of my favorite images of 2013:

Best images of 2011

For each of the past few years, I have compiled a small gallery of my favorite images from the year. It was something I did when I first started out in photography; Jim Goldstein, whose blog collects the best-of collections from more than a hundred other photographers, inspired me to restart the tradition.

I think the exercise of reviewing and editing your work is quite helpful in refining your art and identifying opportunities for improvement. For me, one of the things that was immediately evident in past years was that I often relied on travel to exotic locations to fuel my creativity. In 2011, I worked hard to bring the level of excitement and passion that I feel in a new place back to the familiar scenery at home.

iPad photography (business) apps

Judging by the number of articles written about the iPad over the past few months, you wouldn't think we would need another. But I think we do.

Most of the articles I've seen are obsessed with using it as a camera. They go on and on about all the creative effects you can buy and use. But my camera is my camera; my iPad is a tool for getting my photography business work done when I'm away from the office.

With that, here's my list of useful apps. Some are directly related to photography; others are applicable to any small business.

My Best Images of 2010

Ansel Adams once said that producing "twelve significant photographs in any one year is a good crop." I'm not going to go so far as to call these 12 images significant, but of the images I produced in 2010, they are my favorites. At least for now. My tastes change over time.

I posted my first "12 best" set last year, prompted by photographer Jim Goldstein. I'm doing it again because it's a worthwhile exercise. It can help you identify themes that you're passionate about so you can focus on them in the New Year. It can help you see where you're in a rut.

It can also help you feel better about your work. Creating a significant image is incredibly difficult. It's easy to get frustrated by uncooperative weather or wildlife. Reviewing your best work of the year can help you see the photographic drought was never as long as it seemed at the time.

So here are my favorites, in no particular order:

Canon 1D Mark IV Post II

I still have no plans to turn this into an equipment blog. That said, I promised an update to my original post on the Canon 1D Mark IV once I had a chance to test new firmware.

Hands on with the Canon 1D Mark IV

Don’t worry. This is not turning into an equipment blog. It has always annoyed me when someone has looked at one of my best images and said, “What camera did you use? I should get one.”

Last I checked, my camera doesn’t venture out by itself. Or, if it does, it seems to forget to take the memory card with it.

I also think that a truly stunning image is more art than science. If we obsess only about the equipment, we act as if there’s no difference between photography and a chemistry equation: Camera X + Lens Y + Exposure Settings Z = Pulitzer!

That said, I got a new camera — a Canon 1D Mark IV — and I thought I’d share what I’ve learned in the first couple weeks of using it.