The storm between the calm

In art, religious works glorify the Creator. Portraits convey personality and status. Still lifes showcase technique. But landscapes, up until relatively recently, were, well, just landscapes.

We now know landscapes can be just as expressive as any other form of art. That doesn’t mean that every picture of the environment is a creative masterpiece. Over the course of a year, a million people may take turns taking a quick picture of Half Dome at Yosemite’s famous Tunnel Overlook. Is every one of them a work of art? Probably not. But then not every snapshot selfie holding a wheel of cheese at a farmers’ market is a deep exploration of what it means to be alive.

Autumn on the world's largest sponge

It was the squishiest place I had ever hiked. As I took a step, I felt the ground compress slightly, accompanied by a sound that was part hiss and gurgle. As I stepped again, the ground where I had been snapped back into place.

Walking on the lowland tundra of Katmai National Park and Preserve in Alaska is like walking on the world’s largest wet sponge. It’s a place where even when you can’t see water you can feel its impact.

You had to be there

As I watched a brown bear dive into the water of the Brooks River in Katmai National Park, Alaska, creating a splash so big it obscured most of its 1,000-pound body, I briefly acknowledged that I was lucky to witness what most wildlife photographers come here to see.

It is an experience to behold. There’s silence as the bear works to identify a salmon it hopes to catch, then a sudden burst of activity as it launches after it. The splashes grow larger and louder. The bear soon disappears behind a curtain of water, its sharp claws the last to vanish. There’s now a moment of suspense. We must wait a few seconds for the water to settle to see if the bear caught its fish.

But there is so much more to the bears. These moments of drama made up but a few minutes of my week with them, yet these displays of raw power are typically what we think of when we think of them.

Snapshots and souvenirs

Today is World Photography Day — a day to appreciate “the art of capturing moments.” For me, photography was the gateway to appreciating the moments themselves.

The truth is beneath the surface (and also above it)

Between editing software and artificial intelligence, photographs are no longer trusted as presenting an absolute truth. It’s a different world from the one nearly 150 years ago when Eadweard Muybridge showed racehorses can briefly fly through the air. But even an unedited photo represents only one version of the truth. That’s because there is no such thing as a completely unedited photo.

Invasive inspiration

Fibrous strands of red swayed just below the water's surface with the motion of the incoming tide. I loved the color. I loved the lines. I loved the serenity. As I stood up to my knees in the saltwater of Puget Sound, I was struck by the beauty before me.

But none of it was supposed to be there.

Getting beyond "the shot"

You will sometimes hear photographers talk about getting “the shot” — they captured what they wanted to get. If you were to compare photography to the way we commonly think about education, this picture is the equivalent of the diploma. It’s the reward. The achievement is complete. We’re done here.

This concept has some precedence in art history. Henri Cartier-Bresson was a French photographer of candid scenes and he was known for capturing “the decisive moment.” The elements in his photographs were so perfectly arranged that a picture taken even a split second earlier or later would appear obviously inferior.

No such thing as small actions

There’s a saying about how Earth becomes smaller every passing year. There is an element of literal truth to that. Each day, several hundred tons of hydrogen, helium, and oxygen leak out of our atmosphere, more than offsetting the 40-some tons of asteroid debris and other space dust that enters. But the saying is really about how technology makes our world feel smaller.

With the internet, information travels across the planet at light speed. Commercial jetliners allow us to get virtually anywhere in under a day. But as the world feels smaller, we may feel smaller still. While the shrinking world puts more within reach, our influence seems to be shrinking, too. There are plenty of factors that make us feel personally insignificant.

Whispers and shouts

In photography, we typically celebrate the dramatic. Landscapes with explosive colors. Powerful wildlife in the midst of intense action. But that’s not usually how I see the world.

Most of the time I’m in nature I’m thinking. About the meaning of life. About how everything is connected to everything else. How all of us — human, plant, or animal — are just trying to get by.

What's the purpose?

If, right this moment, I could be anywhere in the world, I might choose to be in a national park in an exotic country. But I’m at home, in front of my computer. And I just got back from taking a walk in my neighborhood.

My route is largely the same every time I do it, and I try to walk it at least every other day. Someone I regularly see on these walks asked me once why I don’t choose a different path. “I would be so bored,” she said.

Getting under the surface in the Cook Islands

Photography is one of the tools I use to satisfy my curiosity about the natural world. But while 99 percent of my photos are taken from land, more than 70 percent of Earth’s surface is covered by water. Life is short and nobody can see everything, of course, but my choice of subjects had significantly limited my worldview.

It’s a discrepancy that I’ve been trying to resolve off and on over the past decade or so. Just over a year ago, I made my greatest effort yet to explore the world beneath the waves as I explored the lagoons surrounding three of the Cook Islands in the South Pacific.

Finding meaning in the darkness

My goal with any time in nature — as it is with my photography — is to get closer to the world around me. To make connections. To see something I never noticed before.

Here in the northern hemisphere, we’re now in the midst of our longest nights of the year. While some bemoan perpetual darkness — where I am nearly two-thirds of the day is night — I’m finding myself staying out late more often.

The rain in Spain

One of the things I love most about nature photography is that every moment is a fleeting moment. The scenery is in a state of constant change. I was reminded of that recently while hiking in La Vera, a valley-filled region in the mountains of western Spain.

I was there during heavy rainstorms, though I escaped the worst. In the eastern part of the country, 229 people died in the worst flooding to hit the country in years. You can donate to relief efforts here.

Three nights with Comet C/2023 A3

The vast majority of my images are taken during the light of day, but that doesn’t mean I do not enjoy the night. So when there was a chance to photograph a comet that hasn’t passed by Earth in 80,000 years, I couldn’t pass up the opportunity.

Comet C/2023 A3 (Tsuchinshan-ATLAS) was discovered in early 2023 by astronomers using telescopes at the Tsuchinshan Observatory in China and the ATLAS survey using a reflector in South Africa. At the time, it was nearly 700 million miles from the sun and already showing a tail. It made its closest approach to the sun at the end of last month, and became the brightest comet to grace our night sky in 27 years.

This, too, shall pass

When curators talk about the artistic vision behind a photograph, they sometimes start by explaining how the picture represents a singular moment of time and space. The artist found something special right there and then and crafted the image to capture and share that feeling.

By extension, this means that that particular moment was over by the time the film was developed or the file saved to the camera’s memory card. For the picture to represent a truly unique slice of time, everything must ultimately be ephemeral.

Finding the inner light

Photography is all about light. Its very name comes from Greek words that mean “painting with light.”

Often when we think of photography, we speak of ‘light’ in literal terms. That’s partly because without light, any photograph would be but a solid block of black. But quantity of light is just one component.

5 Minutes in Nature: At your feet

As we proceed through life, we’re often focused straight ahead — or at least that’s what we’re told that we’re supposed to do. “Where do you plan to be in five years?” “Watch where you’re going!” “Stop focusing on the past; it’s behind you.” Those are all things we’ve likely heard at some point in our lives.

This relentless drive forward may be the key to succeed in business, but I think to better connect with the world around you, it’s good to look around. Through my Five Minutes in Nature project I’ve worked to notice things that are easy to miss. To do that, I must break myself of superficial encounters that never get beyond first impressions.

5 Minutes in Nature: No place like home

Five Minutes in Nature, my new exhibit and book, shares some of my all-time favorite experiences outdoors over the two decades I’ve been a nature photographer. Viewers may be astonished to see how many of them took place so close to my home.

The exhibit at the Roger Tory Peterson Institute in Jamestown, New York, features 33 large-scale photographs representing those experiences. Two of those were taken in my yard. Four more are from small parks only a few miles from my house.

How much reality do we perceive

Much of the world was treated recently to a once-in-a-generation solar storm that pushed the northern lights closer to the equator than any time in the past 21 years. It wasn’t the strongest storm ever, but it may have been one of the most observed.

5 Minutes in Nature: Finding your rainbow

When a bright rainbow can stretch all the way across the horizon, it might be hard to think of it as your own. Dozens, if not hundreds, of other people must be seeing it, too, right?

But even if that rainbow spans one of the world’s largest cities, any rainbow you see is decidedly your own. Everybody gets their own. Any rainbow you see forms on a personal arc drawn from the shadow of your head. Even if we’re standing side-by-side, we’re technically seeing different rainbows.

This idea that even a vast rainbow can be something personal is a core element of my Five Minutes in Nature project, which is on view until July 21 at the Roger Tory Peterson Institute in Jamestown, New York.