The edge of a storm

Blue skies are fine for travel brochures, but my favorite landscape images have an element of drama. And they're captured at what I call the edge of a storm.

There were no osprey in 1941

While walking along the shore of Mono Lake in California, I saw an osprey fly overhead with a giant stick firmly locked in its talons. Not only was I surprised to see an osprey there, I was stunned it would even nest in the area.

The scientific name for osprey translates to "fish eagle." Mono Lake, however, is so salty that only brine shrimp live in its waters.

Cloudy skies, clear perspective

Someone who knows I'm a nature photographer, but isn't one himself, recently asked me what I do on cloudy days.

"On a day like today," he said, gesturing out a window toward the gray sky, "what would you photograph? Anything?"

A waterfall of murres

I've seen plenty of waterfalls, but until recently, I had never seen a "waterfall of murres." That's how friends of mine in Cannon Beach, Oregon, describe a truly wondrous nature show that takes place this time of year on the nearby Chapman Point.

Moving to eliminate distractions

Why is it that some people feel the need to carve their name into everything? I realize the cavemen did it, but they didn't have Facebook and DrawSomething.

Whatever the reason, the work of a modern day caveman was squarely in the middle of a scene I wanted to photograph.

Making big scenes look big

There hasn't been a waterfall per se at Dry Falls in central Washington for at least 10,000 years. But when there was a falls there, it would have been spectacular: 400 feet high, 3½ miles wide and ten times as powerful as all the world's current rivers combined.

Setting limits to remove limits

We are creatures of habit. That's well documented. In stores, we buy a particular brand simply because that's the brand we always buy. Many of us regularly check our messages whether or not we're expecting anything because we've gotten into that habit.

And as photographers, we're inclined to photograph a familiar subject a particular way simply because that's the way we've always done it. It becomes habit and we probably don't even think about why we're setting up the shot that way.