A great image, whether used in a magazine or a textbook or on an art collector’s wall, says something. It creates a feeling. It tells a story.
Tuesday, May 18, 2010
If I had to sum up what’s involved in being a nature photographer, I’d say it’s 1 percent being in the right place at the right time, 9 percent waiting for the right time, and 90 percent sitting in front of a computer editing photos and finding clients.
That last part is my least favorite, of course. I took up nature photography as a break from my desk job. I have yet to find any shortcuts to finding clients, but over the years I have found a few ways to save time when editing images. Anything that cuts the amount of office work is a good thing.
Friday, April 2, 2010
I enjoy all types of nature photography, but wildlife photography may be the most rewarding. It’s extremely challenging. Even if you’re lucky enough to find the animal you’re looking for, it may not be in the mood to pose for you. The challenging times are certainly frustrating, but they make you appreciate a stunning wildlife image all the more.
Monday, March 29, 2010
Wednesday, March 24, 2010
The Canon 1D Mark IV is the most customizable camera I’ve ever used. It has dozens of settings that allow you to tune it to your exact needs. Wading through all those settings, though, can be challenging, especially if you don’t have a lot of time for trial and error.
After using the camera for more than two months of intensive wildlife photography, I’ve finally settled on autofocus settings that I really like. I’m sharing them with you because I’m often asked for my settings.