I enjoy all types of nature photography, but wildlife photography may be the most rewarding. It’s extremely challenging. Even if you’re lucky enough to find the animal you’re looking for, it may not be in the mood to pose for you. The challenging times are certainly frustrating, but they make you appreciate a stunning wildlife image all the more.
It’s spring in the northern hemisphere. Snow is melting in the mountains, and nearly-April rains are adding to the river flows. A lot of waterfalls are pretty impressive now.
The Canon 1D Mark IV is the most customizable camera I’ve ever used. It has dozens of settings that allow you to tune it to your exact needs. Wading through all those settings, though, can be challenging, especially if you don’t have a lot of time for trial and error.
After using the camera for more than two months of intensive wildlife photography, I’ve finally settled on autofocus settings that I really like. I’m sharing them with you because I’m often asked for my settings.
Quick! There’s a bald eagle across the river. What lens do you use?
To make art, we need to break ourselves from the habit of always answering “the longest lens I have.”
I still have no plans to turn this into an equipment blog. That said, I promised an update to my original post on the Canon 1D Mark IV once I had a chance to test new firmware.
Don’t worry. This is not turning into an equipment blog. It has always annoyed me when someone has looked at one of my best images and said, “What camera did you use? I should get one.”
Last I checked, my camera doesn’t venture out by itself. Or, if it does, it seems to forget to take the memory card with it.
I also think that a truly stunning image is more art than science. If we obsess only about the equipment, we act as if there’s no difference between photography and a chemistry equation: Camera X + Lens Y + Exposure Settings Z = Pulitzer!
That said, I got a new camera — a Canon 1D Mark IV — and I thought I’d share what I’ve learned in the first couple weeks of using it.
While tearing apart my office this week in a frantic effort to find a Windows recovery CD – long story – I found a 20-page book. Each page showed off one of my best images from 2001.
I made books like that every year the first few years after I became a serious photographer. They were a way to celebrate my accomplishments. I also used them to get my first few gallery shows.
I don’t know why I stopped, but I’m going to start doing it again. I saw that photographer Jim Goldstein is compiling a directory of the year’s best images from a number of photographers. It seemed like a fun project, but it’s also worthwhile.
One of the things I discovered in compiling my 12 — just 12; I’m also a better photo editor now — is that I do my most creative work either while traveling or in the first few weeks after I’m back. One of my goals this year is to bring that creative approach to the things I see every day.
Check back in a year to see how I do. In the meantime, here's my best work from 2009:
