You get what you get

The image at the top of this post was supposed to be of a large flock of snow geese and Mount Baker. Instead, it's of a large flock of western sandpipers and Mount Rainier. And that's perfectly fine with me.

Best images of 2012

While it is a new year, I do want to take a moment to reflect back on 2012. Compiling a few of my favorite images from the past year has become an annual affair. This task isn’t easy. Artists generally aren’t all that good at editing their own work. Boiling an entire year down to 10 images can seem like an impossible task.

But it can also help you look at your work in new ways. The passage of time has helped me evaluate some of my images with new eyes, freeing me from some of the emotional attachment to the image at the time of capture. That, in turn, helps me figure out what I like — and don’t like — about the work I’ve been producing, helping me to grow and set a direction for the new year.

In no particular order, here are a few of my favorite images from 2012:

Get close by keeping your distance

For the second year in a row, there are fairly large numbers of snowy owls that are wintering nearby. Near Seattle, snow geese are a regular winter feature, but snowy owls are a rare treat. Reckless photographers, though, are in danger of driving our infrequent visitors well back north — or even worse.

Look sharp!

One factor that can have a significant impact on the quality of your images is how sharp they are. Sometimes I like being able to stand up close to a large print and enjoy the clear definition around the smallest details. Sharpness helps the images look more lifelike.

While there's also something to be said for the art of blurring away the fine details, producing sharp images is something that most nature photographers want to accomplish, at least some of the time. The quality of your equipment plays a big role in how sharp your images are, but so does your technique.

Here are some tips for getting the sharpest images out of the equipment you already own:

Shoot for the moon

The full moon may provide an excuse for all sorts of crazy activities, but it can also provide an extra special element to landscape photographs. Here are some tips for capturing the moon as a part of a landscape image.

A bright and dusty sky

Every so often, there's a comet that's so bright it can light up the night sky. But a couple times a year, comets that have long since passed by, or maybe even disintegrated entirely, can light up the night sky, too.

The phenomenon is called the Zodiacal Light and it's the result of a giant cloud of comet dust that stretches from Mercury to Jupiter. It's about as bright as the Milky Way and it's visible with the naked eye about two hours before sunrise in the fall; two hours after sunset in the spring.

The edge of a storm

Blue skies are fine for travel brochures, but my favorite landscape images have an element of drama. And they're captured at what I call the edge of a storm.