And now, something different

Imagine a print by Ansel Adams. You're probably thinking of a black and white image, impeccably sharp and detailed, perhaps of Yosemite. Now visualize something by Monet. You're probably seeing a vividly colorful "impressionistic" painting, perhaps of a Japanese bridge or the French coast.

A lot of artists have a definitive style. You can see a piece and instantly know that it is an Adams, for example. Cultivating a style can be key to developing your own brand as an artist.

But you may also want to try something else.

An adventure to fill the spirit

The Grand Canyon is the second most popular national park. More than 4 million people visit each year. So it's a little surprising there's any place where you can have part of the rim to yourself.

It's called Toroweap. Or Tuweep. The national park guide doesn't appear to take sides.

It's the little things

The best laid plans in nature photography don't always work out. OK, they rarely work out.

I only photograph interesting things

In a particularly brushy area in Seattle’s Discovery Park, I heard the unmistakable song of a winter wren. The birds were made to be heard, not seen, but I grabbed my camera and started looking for it anyway.

Moments later, a woman came up and asked what I found.

 “Oh, I thought you found something interesting,” she said and then walked away.

Been there, done that, did it again

When I show other photographers this image of the Icelandic geyser Strokkur erupting, their first question is usually, “Did you get that on your first try?”

Big images from little lenses

Quick! There’s a bald eagle across the river. What lens do you use?

To make art, we need to break ourselves from the habit of always answering “the longest lens I have.”