Whispers and shouts

In photography, we typically celebrate the dramatic. Landscapes with explosive colors. Powerful wildlife in the midst of intense action. But that’s not usually how I see the world.

Most of the time I’m in nature I’m thinking. About the meaning of life. About how everything is connected to everything else. How all of us — human, plant, or animal — are just trying to get by.

What's the purpose?

If, right this moment, I could be anywhere in the world, I might choose to be in a national park in an exotic country. But I’m at home, in front of my computer. And I just got back from taking a walk in my neighborhood.

My route is largely the same every time I do it, and I try to walk it at least every other day. Someone I regularly see on these walks asked me once why I don’t choose a different path. “I would be so bored,” she said.

Getting under the surface in the Cook Islands

Photography is one of the tools I use to satisfy my curiosity about the natural world. But while 99 percent of my photos are taken from land, more than 70 percent of Earth’s surface is covered by water. Life is short and nobody can see everything, of course, but my choice of subjects had significantly limited my worldview.

It’s a discrepancy that I’ve been trying to resolve off and on over the past decade or so. Just over a year ago, I made my greatest effort yet to explore the world beneath the waves as I explored the lagoons surrounding three of the Cook Islands in the South Pacific.

Finding meaning in the darkness

My goal with any time in nature — as it is with my photography — is to get closer to the world around me. To make connections. To see something I never noticed before.

Here in the northern hemisphere, we’re now in the midst of our longest nights of the year. While some bemoan perpetual darkness — where I am nearly two-thirds of the day is night — I’m finding myself staying out late more often.

The rain in Spain

One of the things I love most about nature photography is that every moment is a fleeting moment. The scenery is in a state of constant change. I was reminded of that recently while hiking in La Vera, a valley-filled region in the mountains of western Spain.

I was there during heavy rainstorms, though I escaped the worst. In the eastern part of the country, 229 people died in the worst flooding to hit the country in years. You can donate to relief efforts here.

Three nights with Comet C/2023 A3

The vast majority of my images are taken during the light of day, but that doesn’t mean I do not enjoy the night. So when there was a chance to photograph a comet that hasn’t passed by Earth in 80,000 years, I couldn’t pass up the opportunity.

Comet C/2023 A3 (Tsuchinshan-ATLAS) was discovered in early 2023 by astronomers using telescopes at the Tsuchinshan Observatory in China and the ATLAS survey using a reflector in South Africa. At the time, it was nearly 700 million miles from the sun and already showing a tail. It made its closest approach to the sun at the end of last month, and became the brightest comet to grace our night sky in 27 years.

This, too, shall pass

When curators talk about the artistic vision behind a photograph, they sometimes start by explaining how the picture represents a singular moment of time and space. The artist found something special right there and then and crafted the image to capture and share that feeling.

By extension, this means that that particular moment was over by the time the film was developed or the file saved to the camera’s memory card. For the picture to represent a truly unique slice of time, everything must ultimately be ephemeral.