And now, something different

Imagine a print by Ansel Adams. You're probably thinking of a black and white image, impeccably sharp and detailed, perhaps of Yosemite. Now visualize something by Monet. You're probably seeing a vividly colorful "impressionistic" painting, perhaps of a Japanese bridge or the French coast.

A lot of artists have a definitive style. You can see a piece and instantly know that it is an Adams, for example. Cultivating a style can be key to developing your own brand as an artist.

But you may also want to try something else.

My Best Images of 2010

Ansel Adams once said that producing "twelve significant photographs in any one year is a good crop." I'm not going to go so far as to call these 12 images significant, but of the images I produced in 2010, they are my favorites. At least for now. My tastes change over time.

I posted my first "12 best" set last year, prompted by photographer Jim Goldstein. I'm doing it again because it's a worthwhile exercise. It can help you identify themes that you're passionate about so you can focus on them in the New Year. It can help you see where you're in a rut.

It can also help you feel better about your work. Creating a significant image is incredibly difficult. It's easy to get frustrated by uncooperative weather or wildlife. Reviewing your best work of the year can help you see the photographic drought was never as long as it seemed at the time.

So here are my favorites, in no particular order: